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Houston in 1991
Houston in 1991

Whitney Elizabeth Houston (August 9, 1963 – February 11, 2012) was an American singer and actress. She was cited as the most awarded female artist of all time by Guinness World Records and remains one of the best-selling music artists of all time with 200 million records sold worldwide. Houston released seven studio albums and two soundtrack albums, all of which have been certified diamond, multi-platinum, platinum, or gold by the Recording Industry Association of America (RIAA). Her crossover appeal on the popular music charts—as well as her prominence on MTV, starting with her video for "How Will I Know"—influenced several African-American women artists who followed in her footsteps.

Houston began singing in church as a child and became a background vocalist while in high school.

Houston made her screen acting debut in the romantic thriller film The Bodyguard (1992). She recorded six songs for the film's soundtrack, including "I Will Always Love You", which received the Grammy Award for Record of the Year and became the best-selling single by a woman in music history. The soundtrack album received the Grammy Award for Album of the Year; it remains the all-time best-selling album by a female artist, as well as the best-selling soundtrack album in history. Houston made other high-profile film appearances, including Waiting to Exhale (1995) and The Preacher's Wife (1996). The theme song "Exhale (Shoop Shoop)" became her eleventh and final number-one single on the Hot 100 chart, while The Preacher Wife's soundtrack became the best-selling gospel album in history.

Following the critical and commercial success of My Love Is Your Love (1998), Houston signed a $100 million contract with Arista Records. However, her personal struggles began overshadowing her career, and the album Just Whitney (2002) received mixed reviews. Her drug use and tumultuous marriage to Bobby Brown were widely publicized in media. After a six-year break from recording, Houston returned to the top of the Billboard 200 chart with her final studio album, I Look to You

On February 11, 2012, Houston was found dead in the Beverly Hilton, Beverly Hills, California. The coroner's report showed that she had accidentally drowned in the bathtub, with heart disease and cocaine use as contributing factors. News of her death coincided with the 2012 Grammy Awards, at which she was originally scheduled to perform, and featured prominently in international media.

Life and career


Whitney Elizabeth Houston was born on August 9, 1963, in what was then a middle-income neighborhood in Newark, New Jersey.[1] She was the daughter of Army serviceman and entertainment executive John Russell Houston, Jr. (September 13, 1920 – February 2, 2003), and gospel singer Emily "Cissy" (Drinkard) Houston.[2] Her elder brother Michael is a singer, and her elder half-brother is former basketball player Gary Garland.[3][4] Her parents were both African American. Through her mother, Houston was a first cousin of singers Dionne Warwick and Dee Dee Warwick. Her godmother was Darlene Love[5] and her honorary aunt was Aretha Franklin,[6][7] whom she met at age 8 or 9 when her mother took her to a recording studio.[6] Houston was raised a Baptist, but was also exposed to the Pentecostal church. After the 1967 Newark riots, the family moved to a middle-class area in East Orange, New Jersey, when she was four.[8] Her parents' marriage later ended in divorce.[9]

At the age of 11, Houston started performing as a soloist in the junior gospel choir at the New Hope Baptist Church in Newark, where she also learned to play the piano.[10] Her first solo performance in the church was "Guide Me, O Thou Great Jehovah".[11]

While Houston was still in school, her mother, Cissy, continued to teach her how to sing.[12] Houston spent some of her teenage years touring nightclubs where Cissy was performing, and she would occasionally get on stage and perform with her.

In the early 1980s, Houston started working as a fashion model after a photographer saw her at Carnegie Hall singing with her mother. She appeared in Seventeen[18] and became one of the first women of color to grace the cover of the magazine.[19] She was also featured in layouts in the pages of Glamour, Cosmopolitan, Young Miss, and appeared in a Canada Dry soft drink TV commercial.[7] Her looks and girl-next-door charm made her one of the most sought after teen models of that time.[7] While modeling, she continued her burgeoning recording career by working with producers Michael Beinhorn, Bill Laswell and Martin Bisi on an album they were spearheading called One Down, which was credited to the group Material. For that project, Houston contributed the ballad "Memories", a cover of a song by Hugh Hopper of Soft Machine. Robert Christgau of The Village Voice called her contribution "one of the most gorgeous ballads you've ever heard".[20] She also appeared as a lead vocalist on one track on a Paul Jabara album, entitled Paul Jabara and Friends, released by Columbia Records in 1983.[21]

In 1983, Gerry Griffith, an A&R representative from Arista Records, saw Houston performing with her mother in a New York City nightclub. He convinced Arista's head Clive Davis to make time to see Houston perform. Davis was impressed and immediately offered a worldwide recording contract, which Houston signed. (Houston had been offered deals by recording agencies before—by Michael Zager in 1980, and by Elektra Records in 1981—but her mother declined them on the grounds that Whitney had yet to complete high school.[14]The%20Billboard%20bo]][22]) Later that year, Houston made her national television debut alongside Davis on The Merv Griffin Show[23]Home (The Wiz song)[24]

Houston did not begin work on an album immediately.[25] The label wanted to make sure no other label signed her away, and Davis wanted to ensure he had the right material and producers for Houston's debut album. Some producers had to pass on the project because of prior commitments.[26] Houston first recorded a duet with Teddy Pendergrass, "Hold Me", which appeared on his gold album, Love Language.[27] The single was released in 1984 and gave Houston her first taste of success, becoming a Top 5 R&B hit.[28] It would also appear on her debut album in 1985.

With production from Michael Masser, Kashif, Jermaine Jackson, and Narada Michael Walden, Houston's debut album Whitney Houston was released in February 1985 and sold 25 million copies worldwide; Houston won her first Grammy Award with this LP.[29] Rolling Stone magazine praised Houston, calling her "one of the most exciting new voices in years" while The New York Times called the album "an impressive, musically conservative showcase for an exceptional vocal talent".[30][31] Arista Records promoted Houston's album with three different singles from the album in the US, UK and other European countries. In the UK, the dance-funk "Someone for Me", which failed to chart in the country, was the first single while "All at Once" was in such European countries as the Netherlands and Belgium, where the song reached the top 5 on the singles charts, respectively.[28]

In the US, the soulful ballad "You Give Good Love" was chosen as the lead single from Houston's debut to establish her in the black marketplace first.[33] Outside the US, the song failed to get enough attention to become a hit, but in the US, it gave the album its first major hit as it peaked at No. 3 on the US Billboard Hot 100 chart, and No. 1 on the Hot R&B chart.[26] As a result, the album began to sell strongly, and Houston continued promotion by touring nightclubs in the US. She also began performing on late-night television talk shows, which were not usually accessible to unestablished black acts. The jazzy ballad "Saving All My Love for You" was released next and it would become Houston's first No. 1 single in both the US and the UK. She was then an opening act for singer Jeffrey Osborne on his nationwide tour. "Thinking About You" was released as the promo single only to R&B-oriented radio stations, which peaked at number ten on the US R&B Chart. At the time, MTV had received harsh criticism for not playing enough videos by black, Latino, and other racial minorities while favoring white acts.[34] The third US single, "How Will I Know", peaked at No. 1, and the video introduced Houston to the MTV audience. Houston's subsequent singles from this and future albums would make her the first African-American woman to receive consistent heavy rotation on MTV.[19]

By 1986, a year after its initial release, Whitney Houston topped the Billboard 200 albums chart and stayed there for 14 non-consecutive weeks.[28] The final single, "Greatest Love of All" (a cover of "The Greatest Love of All", originally recorded by George Benson in 1977), became Houston's biggest hit yet;; the single peaked at No. 1 and remained there for three weeks on the Hot 100 chart, making Houston's debut the first album by a woman to yield three No. 1 hits. Houston was No. 1 artist of the year and Whitney Houston was the No. 1 album of the year on the 1986 Billboard year-end charts, making her the first woman to earn that distinction.[28] At the time, the album was the best-selling debut album by a solo artist.[36] Houston then embarked on her world tour, Greatest Love Tour. The album had become an international success, was certified 13× platinum (diamond) in the United States alone, and has sold 22 million copies worldwide.[37][38][39]

At the 1986 Grammy Awards, Houston was nominated for three awards, including Album of the Year.[40] She was not eligible for the Best New Artist category because of her previous hit R&B duet recording with Teddy Pendergrass in 1984.[41] She won her first Grammy Award for Best Pop Vocal Performance, Female for "Saving All My Love for You".[42] Houston's performance of the song during the Grammy telecast later earned her an Emmy Award for Outstanding Individual Performance in a Variety or Music Program.[43]

Houston won seven American Music Awards in total in 1986 and 1987, and an MTV Video Music Award.[44][7] The album's popularity would also carry over to the 1987 Grammy Awards, when "Greatest Love of All" would receive a Record of the Year nomination. Houston's debut album is listed as one of Rolling Stone's 500 Greatest Albums of All Time and on The Rock & Roll Hall of Fame's Definitive 200 list.[46][47] Houston's grand entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to USA Today.[48] Following Houston's breakthrough, doors were opened for other African-American women such as Janet Jackson and Anita Baker to find notable success in popular music and on MTV.[49][50]

Houston's second album, Whitney, was released in June 1987. The album again featured production from Masser, Kashif and Walden as well as Jellybean Benitez. Many critics complained that the material was too similar to her previous album. Rolling Stone said, "the narrow channel through which this talent has been directed is frustrating".[51] Still, the album enjoyed commercial success. Houston became the first woman in music history to debut at number one on the Billboard 200 albums chart, and the first artist to enter the albums chart at number one in both the US and UK, while also hitting number one or top ten in dozens of other countries around the world. The album's first single, "I Wanna Dance with Somebody (Who Loves Me)", was also a massive hit worldwide, peaking at No. 1 on the Billboard Hot 100 chart and topping the singles chart in many countries such as Australia, Germany and the UK. Her next three singles, "Didn't We Almost Have It All", "So Emotional", and "Where Do Broken Hearts Go", all peaked at number one on the US Hot 100 chart, giving Houston a record total of seven consecutive number one hits; the previous record of six consecutive number one hits had been shared by The Beatles and the Bee Gees.[52][53] Houston became the first woman to generate four number-one singles from one album. Whitney has been certified 9× Platinum in the US for shipments of over 9 million copies, and has sold a total of 20 million copies worldwide.[54]

At the 30th Grammy Awards in 1988, Houston was nominated for three awards, including Album of the Year. She won her second Grammy for Best Female Pop Vocal Performance for "I Wanna Dance with Somebody (Who Loves Me)".[55][56] Houston also won two American Music Awards in 1988 and 1989, respectively, and a Soul Train Music Award.[57][58][59] Following the release of the album, Houston embarked on the Moment of Truth World Tour, which was one of the ten highest-grossing concert tours of 1987.[60] The success of the tours during 1986–87 and her two studio albums ranked Houston No. 8 for the highest-earning entertainers list according to Forbes magazine.[61] She was the highest-earning African-American woman overall and the third highest entertainer after Bill Cosby and Eddie Murphy.[61]

Houston was a supporter of Nelson Mandela and the anti-apartheid movement. During her modeling days, she refused to work with agencies who did business with the then-apartheid South Africa.[62][63] On June 11, 1988, during the European leg of her tour, Houston joined other musicians to perform a set at Wembley Stadium in London to celebrate a then-imprisoned Nelson Mandela's 70th birthday.[62] Over 72,000 people attended Wembley Stadium, and over a billion people tuned in worldwide as the rock concert raised over $1 million for charities while bringing awareness to apartheid.[64] Houston then flew back to the US for a concert at Madison Square Garden in New York City in August. The show was a benefit concert that raised a quarter of a million dollars for the United Negro College Fund.[65] In the same year, she recorded a song for NBC's coverage of the 1988 Summer Olympics, "One Moment in Time", which became a Top 5 hit in the US, while reaching number one in the UK and Germany.[66][67][68] With her world tour continuing overseas, Houston was still one of the top 20 highest-earning entertainers for 1987–88 according to Forbes magazine.[69][70]

In 1989, Houston formed The Whitney Houston Foundation For Children, a non-profit organization that has raised funds for the needs of children around the world.

With the success of her first two albums, Houston became an international crossover superstar, appealing to all demographics.

Houston took a more urban direction with her third studio album, I'm Your Baby Tonight, released in November 1990. She produced and chose producers for this album and as a result, it featured production and collaborations with L.A. Reid and Babyface, Luther Vandross, and Stevie Wonder. The album showed Houston's versatility on a new batch of tough rhythmic grooves, soulful ballads and up-tempo dance tracks. Reviews were mixed. Rolling Stone felt it was her "best and most integrated album".[75] while Entertainment Weekly, at the time thought Houston's shift towards an urban direction was "superficial".[76]

I'm Your Baby Tonight contained several hits: the first two singles, "I'm Your Baby Tonight" and "All the Man That I Need" peaked at number one on the Billboard Hot 100 chart; "Miracle" peaked at number nine; "My Name Is Not Susan" peaked in the top twenty; "I Belong to You" reached the top ten of the US R&B chart and garnered Houston a Grammy nomination; and the sixth single, the Stevie Wonder duet "We Didn't Know", reached the R&B top twenty. The album peaked at number three on the Billboard 200 and went on to be certified 4× platinum in the US while selling 10 million total worldwide.[77]

During the Persian Gulf War, on January 27, 1991, Houston performed "The Star-Spangled Banner", the US national anthem, at Super Bowl XXV at Tampa Stadium.[78] Houston's vocals were pre-recorded, drawing criticism.[79][80][81][82] Dan Klores, a spokesman for Houston, said: "This is not a Milli Vanilli thing. She sang live, but the microphone was turned off. It was a technical decision, partially based on the noise factor. This is standard procedure at these events."[81] Nevertheless, a commercial single and video of the performance reached the Top 20 on the US Hot 100, giving Houston the biggest chart hit for a performance of the national anthem (José Feliciano's version reached No. 50 in November 1968).[84][85] Houston donated her share of the proceeds to the American Red Cross Gulf Crisis Fund and was named to the Red Cross Board of Governors.[78][86][87] Her rendition was critically acclaimed and is considered the benchmark for singers;[82][88] VH1 listed the performance as one of the greatest moments that rocked TV.[89][90] Following the September 11 2001 terrorist attacks, the single was rereleased, with all profits going towards the firefighters and victims of the attacks. It peaked at No. 6 in the Hot 100 and was certified platinum.[91]

Later in 1991, Houston put together her Welcome Home Heroes concert with HBO for the soldiers fighting in the Persian Gulf War and their families. The free concert took place at Naval Station Norfolk in Norfolk, Virginia in front of 3,500 servicemen and women. HBO descrambled the concert so that it was free for everyone to watch.[92] Houston's concert gave HBO its highest ratings ever.[93]

Throughout the 1980s, Houston was romantically linked to American football star Randall Cunningham and actor Eddie Murphy.[22] She then met R&B singer Bobby Brown at the 1989 Soul Train Music Awards. After a three-year courtship, the two were married on July 18, 1992.[95] On March 4, 1993, Houston gave birth to their daughter Bobbi Kristina Brown (March 4, 1993 – July 26, 2015),[96] the couple's only child. Brown would go on to have several run-ins with the law, including some jail time.[95] Houston stated during a 1993 interview with Barbara Walters that she had had a miscarriage during the filming of The Bodyguard. [97]

With the commercial success of her albums, movie offers poured in, including offers to work with Robert De Niro, Quincy Jones, and Spike Lee, but Houston did not feel the time was right.[22] Houston's first film role was in The Bodyguard, released in 1992 and co-starring Kevin Costner. Houston played Rachel Marron, a star who is stalked by a crazed fan and hires a bodyguard to protect her. USA Today listed it as one of the 25 most memorable movie moments of the last 25 years in 2007.[98] Houston's mainstream appeal allowed people to look past the interracial nature of the relationship between her character and Costner's.[99] However, controversy arose as some felt the film's advertising intentionally hid Houston's face to hide the film's interracial relationship. In an interview with Rolling Stone in 1993, Houston commented that "people know who Whitney Houston is – I'm black. You can't hide that fact."[13] Houston received a Razzie Award nomination for Worst Actress. The Washington Post said Houston was "doing nothing more than playing Houston," but added that she came out "largely unscathed if that is possible in so cockamamie an undertaking".[100] The New York Times commented that she lacked passion with her co-star.[101] Despite the film's mixed reviews, it was hugely successful at the box office, grossing more than $121 million in the U.S. and $410 million worldwide, making it one of the top 100 grossing films in film history at its time of release, though it later fell out of the top 100 because of rising ticket prices since the time the film was released.[102]

The film's soundtrack also enjoyed success.

The soundtrack topped the Billboard 200 chart and remained there for 20 non-consecutive weeks, the longest tenure by any Arista album on the chart in the Nielsen SoundScan era (tied for 10th overall by any label), and became one of the fastest selling albums ever.[115] During Christmas week of 1992, the soundtrack sold over a million copies within a week, becoming the first album to achieve that feat under Nielsen SoundScan system.[116][117] With the follow-up singles "I'm Every Woman", a Chaka Khan cover, and "I Have Nothing" both reaching the top five, Houston became the first woman to ever have three singles in the Top 11 simultaneously.[118][119][120] The album was certified 18× platinum in the US alone,[121] with worldwide sales of 45 million copies.[103] The album became the best-selling soundtrack album of all time.[123] Houston won the 1994 Grammy Award for Album of the Year for the soundtrack.[124] In addition, she won a record eight American Music Awards at that year's ceremony including the Award of Merit,[125] 11 Billboard Music Awards, 3 Soul Train Music Awards in 1993–94 including Sammy Davis, Jr. Award as Entertainer of the Year,[28] 5 NAACP Image Awards including Entertainer of the Year,[127][28][129] a record 5 World Music Awards,[28] and a BRIT award.[131]

Following the success of The Bodyguard, Houston embarked on another expansive global tour (The Bodyguard World Tour) in 1993–94. Her concerts, movie, and recording grosses made her the third highest-earning female entertainer of 1993–94, just behind Oprah Winfrey and Barbra Streisand according to Forbes magazine.[132] Houston placed in the top five of Entertainment Weekly's annual "Entertainer of the Year" ranking[133]San%20Francisc]]and was labeled by Premiere of the 100 most powerful people in Hollywood.[134]

In October 1994, Houston attended and performed at a state dinner in the White House honoring newly elected South African president Nelson Mandela.[135][136] At the end of her world tour, Houston performed three concerts in South Africa to honor President Mandela, playing to over 200,000 people; this made her the first major musician to visit the newly unified and apartheid free nation following Mandela's winning election.[137] Portions of Whitney: The Concert for a New South Africa were broadcast live on HBO with funds of the concerts being donated to various charities in South Africa. The event was considered the nation's "biggest media event since the inauguration of Nelson Mandela".[22]

In 1995, Houston starred alongside Angela Bassett, Loretta Devine, and Lela Rochon in her second film, Waiting to Exhale, a motion picture about four African-American women struggling with relationships. Houston played the lead character Savannah Jackson, a TV producer in love with a married man. She chose the role because she saw the film as "a breakthrough for the image of black women because it presents them both as professionals and as caring mothers".[139] After opening at number one and grossing $67 million in the US at the box office and $81 million worldwide,[140] it proved that a movie primarily targeting a black audience can cross over to success, while paving the way for other all-black movies such as How Stella Got Her Groove Back and the Tyler Perry movies that became popular in the 2000s.[141][142][143] The film is also notable for its portrayal of black women as strong middle class citizens rather than as stereotypes.[144] The reviews were mainly positive for the ensemble cast. The New York Times said: "Ms. Houston has shed the defensive hauteur that made her portrayal of a pop star in 'The Bodyguard' seem so distant."[145] Houston was nominated for an NAACP Image Award for "Outstanding Actress in a Motion Picture", but lost to her co-star Bassett.[127]

The film's accompanying soundtrack, Waiting to Exhale: Original Soundtrack Album, was written and produced by Babyface. Though he originally wanted Houston to record the entire album, she declined. Instead, she "wanted it to be an album of women with vocal distinction", and thus gathered several African-American female artists for the soundtrack, to go along with the film's message about strong women.[139] Consequently, the album featured a range of contemporary R&B female recording artists along with Houston, such as Mary J. Blige, Brandy, Toni Braxton, Aretha Franklin, and Patti LaBelle. Houston's "Exhale (Shoop Shoop)" peaked at No. 1, and then spent a record eleven weeks at the No. 2 spot and eight weeks on top of the R&B Charts. "Count On Me", a duet with CeCe Winans, hit the U.S. Top 10; and Houston's third contribution, "Why Does It Hurt So Bad", made the Top 30. The album debuted at No. 1, and was certifiedPlatinum in the United States, denoting shipments of seven million copies.[54] The soundtrack received strong reviews; as Entertainment Weekly stated: "the album goes down easy, just as you'd expect from a package framed by Whitney Houston tracks... the soundtrack waits to exhale, hovering in sensuous suspense"[147] and has since ranked it as one of the 100 Best Movie Soundtracks.[148] Later that year, Houston's children's charity organization was awarded a VH1 Honor for all the charitable work.[149]

In 1996, Houston starred in the holiday comedy The Preacher's Wife, with Denzel Washington. She plays the gospel-singing wife of a pastor (Courtney B. Vance). It was largely an updated remake of the 1948 film The Bishop's Wife, which starred Loretta Young, David Niven and Cary Grant. Houston earned $10 million for the role, making her one of the highest-paid actresses in Hollywood at the time and the highest-earning African-American actress in Hollywood.[150] The movie, with its all African-American cast, was a moderate success, earning approximately $50 million at the U.S. box offices.[151] The movie gave Houston her strongest reviews so far. The San Francisco Chronicle said Houston "is rather angelic herself, displaying a divine talent for being virtuous and flirtatious at the same time", and she "exudes gentle yet spirited warmth, especially when praising the Lord in her gorgeous singing voice".[152] Houston was again nominated for an NAACP Image Award and won for Outstanding Actress in a Motion Picture.[7]

Houston recorded and co-produced, with Mervyn Warren, the film's accompanying gospel soundtrack. The Preacher's Wife: Original Soundtrack Album included six gospel songs with Georgia Mass Choir that were recorded at the Great Star Rising Baptist Church in Atlanta. Houston also duetted with gospel legend Shirley Caesar. The album sold six million copies worldwide and scored hit singles with "I Believe in You and Me" and "Step by Step", becoming the largest selling gospel album of all time.[154] The album received mainly positive reviews. Some critics, such as that of USA Today, noted the presence of her emotional depth,[155] while The Times said, "To hear Houston going at full throttle with the 35 piece Georgia Mass Choir struggling to keep up is to realise what her phenomenal voice was made for".[156] She won Favorite Adult Contemporary Artist at the 1997 American Music Awards for The Preacher's Wife soundtrack.

In December 1996, Whitney's spokesperson confirmed that she had had a miscarriage.[157]

In 1997, Houston's production company changed its name to BrownHouse Productions and was joined by Debra Martin Chase. Their goal was "to show aspects of the lives of African-Americans that have not been brought to the screen before" while improving how African-Americans are portrayed in film and television.[158] Their first project was a made-for-television remake of Rodgers & Hammerstein's Cinderella. In addition to co-producing, Houston starred in the movie as the Fairy Godmother along with Brandy, Jason Alexander, Whoopi Goldberg, and Bernadette Peters. Houston was initially offered the role of Cinderella in 1993, but other projects intervened.[159] The film is notable for its multi-racial cast and nonstereotypical message.[160] An estimated 60 million viewers tuned into the special giving ABC its highest TV ratings in 16 years.[161] The movie received seven Emmy nominations including Outstanding Variety, Musical or Comedy, while winning Outstanding Art Direction in a Variety, Musical or Comedy Special.[162]

Houston and Chase then obtained the rights to the story of Dorothy Dandridge. Houston was to play Dandridge, the first African American actress to be nominated for an Academy Award for Best Actress. Houston wanted the story told with dignity and honor.[158] However, Halle Berry also had rights to the project and got her version going first.[163] Later that year, Houston paid tribute to her idols, such as Aretha Franklin, Diana Ross, and Dionne Warwick, by performing their hits during the three-night HBO Concert Classic Whitney: Live from Washington, D.C.. The special raised over $300,000 for the Children's Defense Fund.[164] Houston received the Quincy Jones Award for outstanding career achievements in the field of entertainment at the 12th Soul Train Music Awards.[28][166]

After spending much of the early and mid-1990s working on motion pictures and their soundtrack albums, Houston's first studio album in eight years, the critically acclaimed My Love Is Your Love, was released in November 1998. Though originally slated to be a greatest hits album with a handful of new songs, recording sessions were so fruitful that a new full-length studio album was released. Recorded and mixed in only six weeks, it featured production from Rodney Jerkins, Wyclef Jean and Missy Elliott. The album debuted at number thirteen, its peak position, on the Billboard 200 chart.[28] It had a funkier and edgier sound than past releases and saw Houston handling urban dance, hip hop, mid-tempo R&B, reggae, torch songs, and ballads all with great dexterity.[28]

From late 1998 to early 2000, the album spawned several hit singles: "When You Believe" (US No. 15, UK No. 4), a duet with Mariah Carey for 1998's The Prince of Egypt soundtrack, which also became an international hit as it peaked in the Top 10 in several countries and won an Academy Award for Best Original Song;[169] "Heartbreak Hotel" (US No. 2, UK No. 25) featured Faith Evans and Kelly Price, received a 1999 MTV VMA nomination for Best R&B Video,[170] and number one on the US R&B chart for seven weeks; "It's Not Right but It's Okay" (US No. 4, UK No. 3) won Houston her sixth Grammy Award for Best Female R&B Vocal Performance;[171] "My Love Is Your Love" (US No. 4, UK No. 2) with 3 million copies sold worldwide;[28] and "I Learned from the Best" (US No. 27, UK No. 19).[173][174] These singles became international hits as well, and all the singles, except "When You Believe", became number one hits on the Billboard Hot Dance/Club Play chart. The album sold four million copies in America, making it certified 4× platinum, and a total of eleven million copies worldwide.[37]

The album gave Houston some of her strongest reviews ever.

In May 2000, Whitney: The Greatest Hits was released worldwide. The double disc set peaked at number five in the United States, reaching number one in the United Kingdom.[174][28] In addition, the album reached the Top 10 in many other countries.[28] While ballad songs were left unchanged, the album features house/club remixes of many of Houston's up-tempo hits. Included on the album were four new songs: "Could I Have This Kiss Forever" (a duet with Enrique Iglesias), "Same Script, Different Cast" (a duet with Deborah Cox), "If I Told You That" (a duet with George Michael), and "Fine", and three hits that had never appeared on a Houston album: "One Moment in Time", "The Star Spangled Banner", and "If You Say My Eyes Are Beautiful", a duet with Jermaine Jackson from his 1986 Precious Moments album.[28] Along with the album, an accompanying VHS and DVD was released featuring the music videos to Houston's greatest hits, as well as several hard-to-find live performances including her 1983 debut on The Merv Griffin Show, and interviews.[188] The greatest hits album was certified 3× platinum in the US, with worldwide sales of 10 million.[189][190]

Though Houston was seen as a "good girl" with a perfect image in the 1980s and early 1990s, her behavior had changed by 1999 and 2000.

Shortly thereafter, Houston was scheduled to perform at the Academy Awards, but was fired from the event by musical director and longtime friend Burt Bacharach. Her publicist cited throat problems as the reason for the cancellation. In his book The Big Show: High Times and Dirty Dealings Backstage at the Academy Awards, author Steve Pond revealed that "Houston's voice was shaky, she seemed distracted and jittery, and her attitude was casual, almost defiant", and that while Houston was supposed to sing "Over the Rainbow", she would start singing a different song during rehearsals.[195] Houston later admitted to having been fired.[196] In May 2000, Houston's long-time executive assistant and friend, Robyn Crawford, resigned from Houston's management company. The following month, Rolling Stone published a story stating that Cissy Houston and others had held a July 1999 intervention in which they unsuccessfully attempted to persuade Whitney to obtain drug treatment.[194]

In August 2001, Houston signed one of the biggest record deals in music history, with Arista/BMG. She renewed her contract for $100 million to deliver six new albums, on which she would also earn royalties.[197][198][199] She later made an appearance on Michael Jackson: 30th Anniversary Special, where her extremely thin frame further spurred rumors of drug use. Houston's publicist said, "Whitney has been under stress due to family matters, and when she is under stress she doesn't eat."[200] (In a 2009 interview with Oprah Winfrey, Houston acknowledged that drug use had been the reason for her weight loss.[201]) She was scheduled for a second performance the following night, but canceled it.[202] Within weeks, Houston's rendition of "The Star Spangled Banner" would be re-released after the September 11 attacks, with the proceeds donated to the New York Firefighters 9/11 Disaster Relief Fund and the New York Fraternal Order of Police.[203] The song peaked at No. 6 this time on the US Hot 100, topping its previous position.[173]

In 2002, Houston became involved in a legal dispute with John Houston Enterprise.

Also in 2002, Houston did an interview with Diane Sawyer to promote her then-upcoming album. During the prime-time special, Houston spoke about her drug use and her marriage, among other topics. Asked about the ongoing drug rumors, she replied, "First of all, let's get one thing straight. Crack is cheap. I make too much money to ever smoke crack. Let's get that straight. Okay? We don't do crack. We don't do that. Crack is wack."[196] The "crack is wack" line was drawn from a mural that Keith Haring painted in 1986 on the handball court at 128th Street and Second Avenue in Manhattan.[208] Houston did, however, admit to using alcohol, marijuana, cocaine, and pills; she also acknowledged that her mother had urged her to seek help regarding her drug use. Houston also denied having an eating disorder, and denied that her very thin appearance was connected to drug use. Houston further stated that Bobby Brown had never hit her, but acknowledged that she had hit him.[196]

In December 2002, Houston released her fifth studio album, Just Whitney. The album included productions from then-husband Bobby Brown, as well as Missy Elliott and Babyface, and marked the first time that Houston did not produce with Clive Davis as Davis had been released by top management at BMG. Upon its release, Just Whitney received mixed reviews.[209] The album debuted at number 9 on the Billboard 200200]]chart and it had the highest first week sales of any album Houston had ever released.[210].%20Vibe%20Media%20Group%3B%20September%202003.%20p.%20186.]]The four singles released from the album did not fare well on the dance chart hits. [211][22]

In late 2003, Houston released her first Christmas album One Wish: The Holiday Album, with a collection of traditional holiday songs. Houston produced the album with Mervyn Warren and Gordon Chambers. A single titled "One Wish (for Christmas)" reached the Top 20 on the Adult Contemporary chart, and the album was certified gold in the US.[213]

In December 2003, Bobby Brown was charged with battery following a domestic altercation in which he allegedly threatened to beat Houston and then hit her in the face.[214]

Having always been a touring artist, Houston spent most of 2004 touring and performing in Europe, the Middle East, Asia, and Russia. In September 2004, she gave a surprise performance at the World Music Awards in a tribute to long-time friend Clive Davis. After the show, Davis and Houston announced plans to go into the studio to work on her new album.[215]

In early 2004, husband Bobby Brown starred in his own reality TV program, Being Bobby Brown, on the Bravo network. The show provided a view of the domestic goings-on in the Brown household. Though it was Brown's vehicle, Houston was a prominent figure throughout the show, receiving as much screen time as Brown. The series aired in 2005 and featured Houston in unflattering moments. Years later, The Guardian opined that through her participation in the show, Houston had lost "the last remnants of her dignity".[29] The Hollywood Reporter said that the show was "undoubtedly the most disgusting and execrable series ever to ooze its way onto television".[216] Despite the perceived train-wreck nature of the show, the series gave Bravo its highest ratings in its time slot and continued Houston's successful forays into film and television.[217] The show was not renewed for a second season after Houston stated that she would no longer appear in it, and Brown and Bravo could not come to an agreement for another season.[218]

After years of controversy and turmoil, Houston separated from Bobby Brown in September 2006 and filed for divorce the following month.[219] On February 1, 2007, Houston asked the court to fast-track the divorce.[220] The divorce was finalized on April 24, 2007, and Houston was granted custody of Bobbi Kristina.[221] On May 4, Houston sold the suburban Atlanta home featured in Being Bobby Brown for $1.19 million.[222] A few days later, Brown sued Houston in Orange County, California seeking child and spousal support from Houston on the basis that financial and emotional problems had prevented Brown from properly responding to the divorce petition.[223] Brown lost at his court hearing, leaving Houston with full custody and Brown with no spousal support.[224]

Houston gave her first interview in seven years in September 2009, appearing on Oprah Winfrey's season premiere.

Houston released her new album, I Look to You, in August 2009.[233] The album's first two singles were the title track "I Look to You" and "Million Dollar Bill". The album entered the Billboard 200200]]at No. 1, with Houston's best opening week sales of 305,000 copies, marking Houston's first number one album since yguard, and Houston's first studio album to reach number one since 1987's Whitney. Houston also appeared on European television programs to promote the album. She performed the song "I Look to You" on the German television show Wetten, dass..?. Houston appeared as guest mentor on The X Factor in the United Kingdom. She performed "Million Dollar Bill" on the following day's results show, completing the song even as a strap in the back of her dress popped open two seconds into the performance. She later commented that she "sang [herself] out of [her] clothes". The performance was poorly received by the British media and was described as "weird" and "ungracious".[234]

Despite this reception, "Million Dollar Bill" jumped to its peak from 14 to number 5 (her first UK top 5 for over a decade).

Houston later embarked on a world tour, entitled the Nothing but Love World Tour. It was her first world tour in over ten years and was announced as a triumphant comeback. However, some poor reviews and rescheduled concerts brought negative media attention.[238][239] Houston canceled some concerts because of illness and received widespread negative reviews from fans who were disappointed in the quality of her voice and performance. Some fans reportedly walked out of her concerts.[240]

In January 2010, Houston was nominated for two NAACP Image Awards, one for Best Female Artist and one for Best Music Video.

In May 2011, Houston enrolled in a rehabilitation center again, citing drug and alcohol problems.

Death and funeral


Houston reportedly appeared "disheveled"[249][250][251] and "erratic"[249][253] in the days immediately prior to her death. On Thursday, February 9, 2012, Houston visited singers Brandy and Monica, together with Clive Davis, at their rehearsals for Davis' pre-Grammy Awards party at The Beverly Hilton in Beverly Hills.[254][255] That same day, she made her last public performance when she joined Kelly Price on stage in Hollywood, California and sang "Jesus Loves Me".[256][257]

Two days later, on February 11, Houston was found unconscious in Suite 434 at the Beverly Hilton Hotel, submerged in the bathtub.[258][259] Beverly Hills paramedics arrived at approximately 3:30 p.m., found Houston unresponsive, and performed CPR. Houston was pronounced dead at 3:55 p.m. PST.[260][261] The cause of death was not immediately known;[1][260] local police said there were "no obvious signs of criminal intent".[262] On March 22, 2012, the Los Angeles County Coroner's Office reported that Houston's death was caused by drowning and the "effects of atherosclerotic heart disease and cocaine use".[263][264] The office stated the amount of cocaine found in Houston's body indicated that she used the substance shortly before her death.[265] Toxicology results revealed additional drugs in her system: diphenhydramine (Benadryl), alprazolam (Xanax), cannabis and cyclobenzaprine (Flexeril).[266] The manner of death was listed as an "accident".[267]

An invitation-only memorial service was held for Houston on Saturday, February 18, 2012, at the New Hope Baptist Church in Newark, New Jersey. The service was scheduled for two hours, but lasted four.[268] Among those who performed at the funeral were Stevie Wonder (rewritten version of "Ribbon in the Sky", and "Love's in Need of Love Today"), CeCe Winans ("Don't Cry", and "Jesus Loves Me"), Alicia Keys ("Send Me an Angel"), Kim Burrell (rewritten version of "A Change Is Gonna Come"), and R. Kelly ("I Look to You"). The performances were interspersed with hymns by the church choir and remarks by Clive Davis, Houston's record producer; Kevin Costner; Rickey Minor, her music director; her cousin, Dionne Warwick; and Ray Watson, her security guard for the past 11 years. Aretha Franklin was listed on the program and was expected to sing, but was unable to attend the service.[269][270] Bobby Brown was also invited to the funeral, but departed shortly after the service began.[271] Houston was buried on February 19, 2012, in Fairview Cemetery, in Westfield, New Jersey, next to her father, John Russell Houston, who died in 2003.[272] In June 2012, the McDonald's Gospelfest in Newark became a tribute to Houston.[273]

The February 11th, 2012 Clive Davis pre-Grammy party that Houston was expected to attend, which featured many of the biggest names in music and movies, went on as scheduled – although it was quickly turned into a tribute to Houston.

Tony Bennett spoke of Houston's death before performing at Davis's party. He said, "First, it was Michael Jackson, then Amy Winehouse, now, the magnificent Whitney Houston." Bennett sang "How Do You Keep the Music Playing?" and said of Houston, "When I first heard her, I called Clive Davis and said, 'You finally found the greatest singer I've ever heard in my life.'"[275]

Some celebrities opposed Davis' decision to continue on the party while a police investigation was being conducted in Houston's hotel room and her body was still in the building.

Many other celebrities released statements responding to Houston's death.

Moments after news of her death emerged, CNN, MSNBC and Fox News all broke from their regularly scheduled programming to dedicate time to non-stop coverage of Houston's death. All three featured live interviews with people who had known Houston including those that had worked with her, interviewed her along with some of her peers in the music industry. Saturday Night Live displayed a photo of a smiling Houston, alongside Molly Shannon, from her 1996 appearance.[282][283] MTV and VH-1 interrupted their regularly scheduled programming on Sunday February 12 to air many of Houston's classic videos with MTV often airing news segments in between and featuring various reactions from fans and celebrities.

Houston's former husband, Bobby Brown, was reported to be "in and out of crying fits" after receiving the news. He did not cancel a scheduled performance and within hours of his ex-wife's sudden death, an audience in Mississippi observed as Brown blew kisses skyward, tearfully saying: "I love you, Whitney."[284]

Ken Ehrlich, executive producer of the 54th Grammy Awards, announced that Jennifer Hudson would perform a tribute to Houston at the February 12, 2012 ceremony. He said "event organizers believed Hudson – an Academy Award-winning actress and Grammy Award-winning artist – could perform a respectful musical tribute to Houston." Ehrlich went on to say: "It's too fresh in everyone's memory to do more at this time, but we would be remiss if we didn't recognize Whitney's remarkable contribution to music fans in general, and in particular her close ties with the Grammy telecast and her Grammy wins and nominations over the years."[285] At the start of the awards ceremony, footage of Houston performing "I Will Always Love You" from the 1994 Grammys was shown following a prayer read by host LL Cool J. Later in the program, following a montage of photos of musicians who died in 2011 with Houston singing "Saving All My Love for You" at the 1986 Grammys, Hudson paid tribute to Houston and the other artists by performing "I Will Always Love You".[286][287] The tribute was partially credited for the Grammys telecast getting its second highest ratings in history.[288]

Houston was honored with various tributes at the 43rd NAACP Image Awards, held on February 17.

On May 17, 2017, Albanian-American singer Bebe Rexha released a single titled "The Way I Are (Dance with Somebody)" from her two part album All Your Fault.[294] The song mentions Houston's name in the opening lyrics, "I'm sorry, I'm not the most pretty, I'll never ever sing like Whitney.", before going on to sample some of Houston's lyrics for "I Wanna Dance with Somebody (Who Loves Me)" in the chorus.[295] The song was in part made as a tribute to Whitney Houston's life.[296][297]

Artistry and legacy


Houston was a mezzo-soprano,[298][299] and was commonly referred to as "The Voice" in reference to her exceptional vocal talent.[300] She was third in MTV's list of 22 Greatest Voices[301] and sixth on Online Magazine COVE's list of the 100 Best Pop Vocalists with a score of 48.5/50.[302] Jon Pareles of The New York Times stated she "always had a great big voice, a technical marvel from its velvety depths to its ballistic middle register to its ringing and airy heights".[303] In 2008, Rolling Stone listed Houston as the thirty-fourth of the 100 greatest singers of all time, stating, "Her voice is a mammoth, coruscating cry: Few vocalists could get away with opening a song with 45 unaccompanied seconds of singing, but Houston's powerhouse version of Dolly Parton's 'I Will Always Love You' is a tour de force."[106] Matthew Perpetua from Rolling Stone also eulogized Houston's vocal, enumerating ten performances, including "How Will I Know" from the 1986 MTV VMAs and "The Star Spangled Banner" at the 1991 Super Bowl. "Whitney Houston was blessed with an astonishing vocal range and extraordinary technical skill, but what truly made her a great singer was her ability to connect with a song and drive home its drama and emotion with incredible precision", he stated. "She was a brilliant performer, and her live shows often eclipsed her studio recordings."[304] According to Newsweek, Houston had a four-octave range.[305]

Jon Caramanica of The New York Times commented, "Her voice was clean and strong, with barely any grit, well suited to the songs of love and aspiration. [... ] Hers was a voice of triumph and achievement, and it made for any number of stunning, time-stopping vocal performances."[306] Mariah Carey stated, "She [Whitney] has a really rich, strong mid-belt that very few people have. She sounds really good, really strong."[307] While in her review of I Look to You, music critic Ann Powers of the Los Angeles Times writes, "[Houston's voice] stands like monuments upon the landscape of 20th century pop, defining the architecture of their times, sheltering the dreams of millions and inspiring the climbing careers of countless imitators", adding "When she was at her best, nothing could match her huge, clean, cool mezzo-soprano."[299]

Lauren Everitt from BBC News Magazine commented on melisma used in Houston's recording and its influence. "An early 'I' in Whitney Houston's 'I Will Always Love You' takes nearly six seconds to sing. In those seconds the former gospel singer-turned-pop star packs a series of different notes into the single syllable", stated Everitt. "The technique is repeated throughout the song, most pronouncedly on every 'I' and 'you'. The vocal technique is called melisma, and it has inspired a host of imitators. Other artists may have used it before Houston, but it was her rendition of Dolly Parton's love song that pushed the technique into the mainstream in the 90s. [... ] But perhaps what Houston nailed best was moderation." Everitt said that "[i]n a climate of reality shows ripe with 'oversinging,' it's easy to appreciate Houston's ability to save melisma for just the right moment."[308]

Houston's vocal stylings have had a significant impact on the music industry.

Elysa Gardner of the Los Angeles Times in her review for The Preacher's Wife Soundtrack praised Houston's vocal ability highly, commenting, "She is first and foremost a pop diva – at that, the best one we have. No other female pop star – not Mariah Carey, not Celine Dion, not Barbra Streisand – quite rivals Houston in her exquisite vocal fluidity and purity of tone, and her ability to infuse a lyric with mesmerizing melodrama."[311]

Houston struggled with vocal problems in her later years.

During the 1980s, MTV was coming into its own and received criticism for not playing enough videos by black artists.

AllMusic noted her contribution to the success of black artists on the pop scene, commenting, "Houston was able to handle big adult contemporary ballads, effervescent, stylish dance-pop, and slick urban contemporary soul with equal dexterity" and that "the result was an across-the-board appeal that was matched by scant few artists of her era, and helped her become one of the first black artists to find success on MTV in Michael Jackson's wake".[316] The New York Times stated that "Houston was a major catalyst for a movement within black music that recognized the continuity of soul, pop, jazz and gospel vocal traditions".[317] Richard Corliss of Time

Stephen Holden of The New York Times said that Houston "revitalized the tradition of strong gospel-oriented pop-soul singing".[318] Ann Powers of the Los Angeles Times referred to Houston as a "national treasure".[299] Jon Caramanica, another music critic of The New York Times, called Houston "R&B's great modernizer", adding "slowly but surely reconciling the ambition and praise of the church with the movements and needs of the body and the glow of the mainstream".[306] He also drew comparisons between Houston's influence and other big names' on 1980s pop:

The Independent's music critic Andy Gill also wrote about Houston's influence on modern R&B and singing competitions, comparing it to Michael Jackson's. "Because Whitney, more than any other single artist – Michael Jackson included – effectively mapped out the course of modern R&B, setting the bar for standards of soul vocalese, and creating the original template for what we now routinely refer to as the 'soul diva' ", stated Gill. "Jackson was a hugely talented icon, certainly, but he will be as well remembered (probably more so) for his presentational skills, his dazzling dance moves, as for his musical innovations. Whitney, on the other hand, just sang, and the ripples from her voice continue to dominate the pop landscape." Gill said that there "are few, if any, Jackson imitators on today's TV talent shows, but every other contestant is a Whitney wannabe, desperately attempting to emulate that wondrous combination of vocal effects – the flowing melisma, the soaring mezzo-soprano confidence, the tremulous fluttering that carried the ends of lines into realms of higher yearning".[319]

Houston was considered by many to be a "singer's singer", who had an influence on countless other vocalists, both female and male.[106][320] Similarly, Steve Huey from Allmusic wrote that the shadow of Houston's prodigious technique still looms large over nearly every pop diva and smooth urban soul singer – male or female – in her wake, and spawned a legion of imitators.[316] Rolling Stone, on her biography, stated that Houston "redefined the image of a female soul icon and inspired singers ranging from Mariah Carey to Rihanna".[321] Essence ranked Houston sixth on their list of 50 Most Influential R&B Stars of all time, calling her "the diva to end all divas".[322]

A number of artists have acknowledged Houston as an influence, including Celine Dion,[29] Mariah Carey,[106] Toni Braxton,[324] Lady Gaga,[325] Christina Aguilera,[326] LeAnn Rimes,[327] Jessica Simpson,[328] Nelly Furtado,[329] Kelly Clarkson,[330] Britney Spears,[331] Ciara,[332] P!nk,[331] Aneeka,[333] Ashanti,[334] Hayley Williams, Robin Thicke,[335] Jennifer Hudson,[336] Stacie Orrico,[337] Amerie,[338] Destiny's Child,[331][339] and Ariana Grande.[340] Mariah Carey, who was often compared to Houston, said, "She [Houston] has been a big influence on me."[341] She later told USA Today that "none of us would sound the same if Aretha Franklin hadn't ever put out a record, or Whitney Houston hadn't."[342] Celine Dion who was the third member of the troika that dominated female pop singing in the 1990s, did a telephone interview with Good Morning America on February 13, 2012, saying "Whitney's been an amazing inspiration for me. I've been singing with her my whole career, actually. I wanted to have a career like hers, sing like her, look beautiful like her."[343] Beyoncé told the Globe and Mail that Houston "inspired [her] to get up there and do what [she] did".[344] She also wrote on her website on the day after Houston's death, "I, like every singer, always wanted to be just like [Houston]. Her voice was perfect. Strong but soothing. Soulful and classic. Her vibrato, her cadence, her control. So many of my life's memories are attached to a Whitney Houston song. She is our queen and she opened doors and provided a blueprint for all of us."[345]

Mary J. Blige said that Houston inviting her onstage during VH1's Divas Live show in 1999 "opened doors for [her] all over the world".[346] Brandy stated, "The first Whitney Houston CD was genius. That CD introduced the world to her angelic yet powerful voice. Without Whitney, half of this generation of singers wouldn't be singing."[347] Kelly Rowland, in an Ebony's feature article celebrating black music in June 2006, recalled that "[I] wanted to be a singer after I saw Whitney Houston on TV singing 'Greatest Love of All'. I wanted to sing like Whitney Houston in that red dress." She added that "And I have never, ever forgotten that song [Greatest Love of All]. I learned it backward, forward, sideways. The video still brings chills to me. When you wish and pray for something as a kid, you never know what blessings God will give you."[22]

Alicia Keys said "Whitney is an artist who inspired me from [the time I was] a little girl."[349] Oscar winner Jennifer Hudson cites Houston as her biggest musical influence. She told Newsday that she learned from Houston the "difference between being able to sing and knowing how to sing".[350] Leona Lewis, who has been called "the new Whitney Houston", also cites her as an influence. Lewis stated that she idolized her as a little girl.[351][352]

Houston was the most awarded female artist of all time, according to Guinness World Records,[25] with two Emmy Awards, six Grammy Awards, 30 Billboard Music Awards, 22 American Music Awards, among a total of 415 career awards as of 2010. She held the all-time record for the most American Music Awards of any female solo artist and shared the record with Michael Jackson for the most AMAs ever won in a single year with eight wins in 1994.[353] Houston won a record 11 Billboard Music Awards at its fourth ceremony in 1993.[354] She also had the record for the most WMAs won in a single year, winning five awards at the 6th World Music Awards in 1994.[28]

In May 2003, Houston placed at number three on VH1's list of "50 Greatest Women of the Video Era", behind Madonna and Janet Jackson.[356] She was also ranked at number 116 on their list of the "200 Greatest Pop Culture Icons of All Time".[357] In 2008, Billboard magazine released a list of the Hot 100 All-Time Top Artists to celebrate the US singles chart's 50th anniversary, ranking Houston at number nine.[358][359] Similarly, she was ranked as one of the "Top 100 Greatest Artists of All Time" by VH1 in September 2010.[360] In November 2010, Billboard released its "Top 50 R&B/Hip-Hop Artists of the Past 25 Years" list and ranked Houston at number three who not only went on to earn eight number-one singles on the R&B/Hip-Hop Songs chart, but also landed five number ones on R&B/Hip-Hop Albums.[361]

Houston's debut album is listed as one of the 500 Greatest Albums of All Time by Rolling Stone magazine[46] and is on Rock and Roll Hall of Fame's Definitive 200 list.[47] In 2004, Billboard picked the success of her first release on the charts as one of 110 Musical Milestones in its history.[362] Houston's entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to USA Today in 2007. It stated that she paved the way for Mariah Carey's chart-topping vocal gymnastics.[48] In 1997, the Franklin School in East Orange, New Jersey was renamed to The Whitney E. Houston Academy School of Creative and Performing Arts. In 2001, Houston was the first artist to be given a BET Lifetime Achievement Award.[363] Houston is one of pop music's best-selling music artists of all-time, with 200 million records sold worldwide.[364][365] She was ranked as the fourth best-selling female artist in the United States by the Recording Industry Association of America, with 55 million certified albums sold in the US,[236][366] and held an Honorary Doctorate in Humanities from Grambling State University, Louisiana.[367] Houston was inducted into the New Jersey Hall of Fame in 2013.[368] In August 2014, Houston was inducted to the official Rhythm and Blues Music Hall of Fame in its second class.[369]

In 2015, the biographical film Whitney premiered on Lifetime. The film was directed by Houston's Waiting to Exhale co-star Angela Bassett, and Houston was portrayed by model Yaya DaCosta.[370]

A television documentary film entitled Whitney: Can I Be Me aired on Showtime on August 25, 2017.[371] The film was directed by Nick Broomfield.[372]

On 27 April 2016, it was announced that Kevin Macdonald would work with the film production team Altitude, producers of Amy Winehouse film Amy (2015), on a new documentary film based on Houston's life and death. It is the first documentary authorized by Houston's estate.[373] That film, entitled Whitney, premiered at the 2018 Cannes Film Festival and was released internationally in theaters on July 6, 2018.[374]

Discography


Filmography


Tours


World tours

Regional tours

See also


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