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Theatrical release poster
Theatrical release poster

Bridesmaids is a 2011 American comedy film directed by Paul Feig, written by Annie Mumolo and Kristen Wiig, and produced by Judd Apatow, Barry Mendel, and Clayton Townsend. The plot centers on Annie (Wiig), who suffers a series of misfortunes after being asked to serve as maid of honor for her best friend, Lillian, played by Maya Rudolph. Rose Byrne, Melissa McCarthy, Ellie Kemper, and Wendi McLendon-Covey co-star as Lillian's bridesmaids, with Chris O'Dowd, Rebel Wilson, Matt Lucas, Michael Hitchcock, Jon Hamm, and Jill Clayburgh, in her final film appearance, in supporting roles.[6]

Actresses Annie Mumolo and Kristen Wiig wrote the screenplay following Wiig's casting in Apatow's 2007 comedy film Knocked Up, and budgeted at $32.5 million. Upon its opening release in the United States and Canada on May 13, 2011, Bridesmaids was both critically and commercially successful. The film grossed $26 million in its opening weekend, eventually grossing over $288 million worldwide, and surpassed Knocked Up to become the top-grossing Apatow production to date,[7] and served as a touchstone for discussion about women in comedy.[8][9][10]

The film was nominated for a Golden Globe Award for Best Motion Picture – Musical or Comedy. It received multiple other accolades. On January 24, 2012, the film was nominated for both the Academy Award for Best Supporting Actress for Melissa McCarthy and Best Original Screenplay for Wiig and Mumolo. This made it the first Apatow-produced film to be nominated for an Academy Award.

Plot


Annie Walker is a single woman in her mid-thirties, living in Milwaukee. Following the failure of her bakery due to the recession, her boyfriend left her, and she lost her savings, forcing her to take a job as a sales clerk in a jewelry store and share an apartment with an English immigrant roommate Gil and his sister Brynn. Her business failure was so painful that she has given up baking entirely. Annie has a no-strings-attached sexual relationship with the self-absorbed Ted, but she hopes for something more from him. Her best friend, Lillian, is virtually her only source of happiness.

Lillian becomes engaged to her boyfriend Doug and asks Annie to be her maid of honor. At the engagement party, Annie meets Lillian's bridesmaids: cynical, worldly, long-married cousin Rita; naïve and idealistic newlywed friend from work Becca; the groom's decidedly unfiltered sister Megan; and Helen, the rich, beautiful, and elite wife of the groom's boss. Helen and Annie, who are jealous of each other's friendship with Lillian, take an instant dislike to each other, but Lillian persuades them to spend time together.

Annie takes Lillian and the bridesmaids to a Brazilian steak restaurant for lunch before going to a chic bridal shop. Helen uses her influence to gain entry to the shop because Annie didn't make a reservation. While trying on gowns, the whole party—with the exception of Helen, who chose not to eat before the fitting—becomes sick from food poisoning. Later, Annie's suggestion of a bachelorette party at Lillian's parents' lake house is overruled in favor of a trip to Las Vegas planned by Helen. Worried about her finances and too proud to accept a ticket paid for by Helen, Annie books a ticket in economy class although the rest of the party flies first-class. The trip is cut short by an outburst from Annie, who had accepted a sedative and liquor from Helen because of her massive fear of flying and begins to hallucinate. The plane makes an emergency landing in Casper, Wyoming, and the party takes a bus back home. Annie apologizes, but Lillian decides that she wants Helen to take over planning the shower and the wedding.

Annie continues to hope for a relationship with Ted, but Irish-American Nathan Rhodes, a friendly State Patrol officer who had earlier let her off without a ticket for broken tail lights, begins flirting with her. Nathan encourages her to open a new bakery, but Annie declines. Following a romantic night together, Nathan buys baking supplies as a surprise, in the hopes that Annie will start baking again. Offended and overwhelmed, Annie leaves. Annie is later fired for being rude to a customer, and kicked out of her apartment by her roommates, forcing her to move in with her mother.

Annie travels to Helen's home in Chicago for the bridal shower, which has become a Parisian-themed event, an idea that Annie previously came up with but Helen turned down. Helen also upstages Annie's heartfelt, handmade shower gift by giving Lillian a trip to Paris, an idea Helen stole from Annie. Enraged that Helen has taken credit for the Parisian theme and jealous of her relationship with Lillian, Annie throws a tantrum. Lillian kicks her out of the shower and the wedding. On her way home, Annie is involved in a car accident due to her still-broken tail lights, but the other driver flees the scene. Officer Rhodes ends up being the responding officer, and he admonishes her for not fixing her tail lights or taking responsibility for her life. When Annie dismisses him by saying she "knows" he didn't want anything but sex from her, Rhodes is upset, and storms off when Ted arrives to give Annie a ride. On the ride home, Ted asks Annie to perform oral sex on him. Frustrated, she breaks off the relationship and walks home.

Annie becomes reclusive, refusing to leave her mother's house and obsessively watching television. Eventually, Megan arrives and gives Annie a pep talk, telling her that she must stop blaming the world for her problems and take control of her life. Annie realizes her errors and begins to repair her life, beginning to bake again and getting her car fixed. She tries to make amends with Nathan, but he is still upset over her previous actions and ignores her. On the day of the wedding, Helen appears at Annie's doorstep distraught; Lillian has disappeared, and Helen begs for Annie's help in finding her. While driving, Helen apologizes to Annie and opens up to her, revealing that people only involve her in their lives because she is good at planning events, but she does not have any true female friends, leading to something of a reconciliation between them. The two enlist Officer Rhodes to help, and he reluctantly agrees. The group finds Lillian at her own apartment, discovering that she ran from her wedding because of Helen's extravagant planning and from fear of leaving her life in Milwaukee. After reconciling, Annie helps Lillian prepare for her wedding.

Annie resumes her place as maid of honor. After the wedding, which Annie agrees with Helen is "perfect," Helen again apologizes to Annie, and states her hope that they can be friends in the future. Realizing that Annie and Officer Rhodes were falling in love, Helen also arranged for him to pick up Annie after the wedding. Officer Rhodes and Annie reconcile and the pair ride away in his police car.

Cast


The cast features brief appearances by several actors who played in the television series The Office, including Jessica St. Clair, Nancy Carell, Hugh Dane and Andy Buckley.

Major uncredited appearances include: Jon Hamm as Ted, Annie's sex buddy; Grammy Award-winning accordionist, pianist, and composer Nick Ariondo as the accordion player; and Emmy, Drama Desk and Grammy Award winner Pat Carroll as the old woman in car.

The film's co-writers, Wiig and Annie Mumolo, appear together when Mumolo plays the credited role of Nervous Woman on Plane, while the film's director, Paul Feig, appears uncredited as one of the wedding guests. Carnie Wilson, Chynna Phillips and Wendy Wilson appears as themselves, performing as Wilson Phillips at the wedding.

Paul Rudd was to appear as a man who Annie goes on a blind date with, but the scene was cut from the final film.

Production


The script, originally titled Maid of Honor, was written by actress and screenwriter Annie Mumolo and Kristen Wiig.[11] Friends for years, they met at The Groundlings, a Los Angeles-based improvisational comedy troupe where they wrote sketches with one another, in the early 2000s.[11] The basic premise for the film originated in 2006, shortly after Wiig was cast in the supporting role of a passive-aggressive cable television executive in producer Judd Apatow's comedy film Knocked Up (2007).[11] Recognizing her comedic talent, Apatow asked Wiig if she had any ideas for a screenplay herself – a practice which had previously led to Steve Carell's idea for The 40-Year-Old Virgin (2005) – and she and Mumolo soon came up with Bridesmaids.[11] Over the following years, writing commenced, with Wiig working on Saturday Night Live in New York City and Mumolo grinding out the script in Los Angeles.[12] The two would meet on weekends and conduct semi-regular table reads of drafts for Apatow to get his suggestions and notes.[11]

Several actresses auditioned for the role of Megan, including Rebel Wilson and Busy Philipps, the latter of whom had worked with Apatow and Feig on their comedy-drama television series Freaks and Geeks.[13] Wilson, who improvised for Apatow and Feig for an hour during her audition, impressed them so much that she was later cast in the smaller role of Brynn. It marked her first appearance in an American production.[14] Mindy Kaling read for the role of Lillian, eventually losing to Wiig's Saturday Night Live colleague Maya Rudolph.[15] Rose Byrne initially also auditioned for Lillian, but later took the opportunity to read Helen.[16] Byrne was eventually chosen as the nemesis because she wasn't a comedian as Feig feared the character would be "coming out to be too arch if we had a funny woman doing it."[17] Greta Gerwig and Judy Greer also auditioned for unspecific roles.[18][19]

Bridesmaids was budgeted at $32.5 million.[20] Though primarily set in Milwaukee and Chicago, principal photography actually took place in Los Angeles, California.[21] Production designer Jefferson Sage, who has worked with Apatow and Paul Feig since their Freaks and Geeks days, noted that the first fact that appealed to him about the project "was that you had these two disparate worlds: There was Annie's world in Milwaukee, and then there was Helen's world in Chicago. It immediately drew this dichotomy between the rivalry that developed between them."[21] However, Sage acknowledged that it was a challenge to find "architecture that would give us those Midwestern worlds. Chicago is a beautiful, distinctive city architecturally, and restricted views of downtown L.A. feel like Chicago."[21] The production decided to use the Los Angeles County Arboretum and Botanic Garden as the location for Lillian and Dougie's wedding.[21] Additional scenes where Annie meets Officer Rhodes on the highways between Milwaukee and Chicago were filmed in Oxnard, California, which Sage described as a "broad, flat, green area away from mountains."[21]

Reception


Bridesmaids received positive reviews upon its release, with McCarthy's performance receiving widespread praise. The review aggregator website Rotten Tomatoes reported that 90% of critics gave the film a positive review based on 284 reviews, with an average score of 7.57/10.[22] The site's critical consensus states: "A marriage of genuine characters, gross out gags, and pathos, Bridesmaids is a female-driven comedy that refuses to be boxed in as Kristen Wiig emerges as a real star."[23] Metacritic gives the film a score of 75 out of 100 based on reviews from 39 critics, indicating "generally favorable reviews".[24] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.[25]

Roger Ebert gave the film 3.5 stars of out 4, and said that Bridesmaids "seems to be a more or less deliberate attempt to cross the Chick Flick with the Raunch Comedy. It definitely proves that women are the equal of men in vulgarity, sexual frankness, lust, vulnerability, overdrinking and insecurity ... Love him or not, Judd Apatow is consistently involved with movies that connect with audiences."[26]

Ms. magazine noted, to its "enduring surprise," that despite the involvement of Apatow, and "done and done and done" themes, the film passed the Bechdel test of female-driven storylines.[27]

Critic Owen Gleiberman of Entertainment Weekly pointed out the significance of Bridesmaids' success as follows: "So far, the message that Hollywood seems to have taken from the incredible success of Bridesmaids is a predictably reductive one, something along the lines of: Hey, look! Raunchy comedies for women with awesome grossout scenes in the middle of them can be big box office too!! The message that Hollywood should be taking is: A comedy that's raunchy and fearless, and also brilliantly written and shrewdly honest about what's really going on in women's lives, may actually connect with the fabled non-teenage audience (remember them?)."[28]

Many critics, like Mary Elizabeth Williams of Salon (who called Bridesmaids the "first black president of female-driven comedies"[29]) labeled the film as "a breakthrough for female-centered comedy, and feminist to boot."[30] It was also credited with proving that "women could pull off a good fart joke as well as the next guy, and did what seemed like the impossible: leading an all-female cast to blockbuster success."[31]

Despite the majority of praise, the film was not without its detractors. Abby Koenig of The Houston Press enjoyed Kristen Wiig's comedic talents, but disliked the frequency of "raunchy jokes" throughout the film, writing that "we need more funny females getting the spotlight. However, we also need women that can crack you up without making you watch them have diarrhea".[32] Karina Longworth of The Village Voice criticised the inconsistency of the film's tone, stating that certain scenes have "a kind of dumb crassness that works against Bridesmaids' often smart, highly class-conscious deconstruction of female friendship and competition. Comedy of humiliation is one thing; a fat lady shitting in a sink is another."[33]

Bridesmaids surpassed Knocked Up to become the top-grossing Judd Apatow production to date,[34][35] grossing $26,247,410 on its opening weekend and settling for a strong second place behind Thor.[4][36] Bridesmaids grossed $169,106,725 at the North American domestic box office and $119,276,798 in international markets, totalling $288,383,523.[4] Universal reported that males made up 33 percent of the movie's audience and that 63 percent of the audience was over the age of 30.[36][37]

McCarthy was nominated for the 2012 Academy Award for Best Supporting Actress, BAFTA Award for Best Actress in a Supporting Role, and Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Supporting Role.[38][39][40]

Home media


Bridesmaids was released on DVD and Blu-ray Disc in theatrical (125 minutes) and unrated (130 minutes) versions on September 20, 2011.[55] Special features include a Line-O-Rama (a feature popular among Apatow releases), deleted, extended, and alternate scenes, and a Cholodecki's jewelry store commercial. Another edition commemorating the 100th anniversary of Universal Studios was released on September 4, 2012.

Legacy


In January 2012, industry sources reported that Universal was interested in developing a sequel to Bridesmaids. When discussing the potential of a Bridesmaids 2, producer Apatow was quoted as saying, "The key is we have to come up with an idea that is as good or better than the first one."[56] In an interview with Vanity Fair, director Paul Feig addressed rumors of a sequel, saying "Everyone's very busy right now is one of the problems, and kind of doing their own thing, but we're very open to it."[57]

When asked about her potential involvement, Wiig told The Hollywood Reporter, "We aren't working on that. Annie [Mumolo] and I aren't planning a sequel. We are writing something else."[56] Following Wiig's statement, reports surfaced that Universal was interested in proceeding without her, instead focusing on developing a story about McCarthy's character Megan. McCarthy dispelled the rumors that she would consider returning for a sequel without Wiig saying, "God, I wouldn't want to. I would never want to. I think it's a terrible idea. I don't know anything about it. But I know that nobody wants to do it unless it's great. If it is, I will show up wherever those ladies are."[58]

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